(Download) Brahms and Bruckner as Artistic Antipodes: Studies in Musical Semantics
| #4601471 in Books | 2015-07-09 | Original language:English | PDF # 1 | 8.20 x.90 x5.80l,1.10 | File Name: 3631660340 | 311 pages
||0 of 1 people found the following review helpful.| Five Stars|By salvatore campise|author reveals some similarities of these north-south pole composers to composition---||«The second and third part of the study achieve new insights. With a consistent analysis of biographic data and, simultaneously, a careful scrutiny of musical facts (increased experience in assessing the music of the 19th century), Floros gains
In the last third of the 19th century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the «dimension of their distance», as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms’ relation to Bruckner in its bio...
[PDF.kj83] Brahms and Bruckner as Artistic Antipodes: Studies in Musical Semantics Rating: 3.60 (755 Votes)
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You easily download any file type for your gadget.Brahms and Bruckner as Artistic Antipodes: Studies in Musical Semantics | Constantin Floros. I have read it a couple of times and even shared with my family members. Really good. Couldnt put it down.